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16 October 2013

How the Met Finally Got 'Primitive'

From: donotreply@artnews.com
To: tqnews@hotmail.com
Date: Wed, 16 Oct 2013 06:00:14 +1100
Subject: How the Met Finally Got 'Primitive'

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News Investigations Features Trends Profiles Market Looking at Art Reviews
Repurposing irons, shoes, and other discarded commodities, Willie Cole creates visceral artworks that communicate potent messages about African history Read More
How the original Rockefeller Republican effected radical change by championing "Primitive" artRead More
A new exhibition explores how a chance encounter with Qi Baishi in Beijing allowed Isamu Noguchi to step out of Brancusi's shadow and find his own language of abstractionRead More
An exhibition in Brooklyn marks the anniversary of the superstorm with artwork elegaic and festiveRead More
An exhibition at the Shelburne museum showcases the penchant for extreme perspectives shared by N.C., Andrew, and Jamie WyethRead More
An exhibition at the Museum of Arts & Design showcases how 3-D printing is growing up—and getting personalRead More
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Finally! MoMA reveals how to make art and lose weight at the same time
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Good grief: The statue in the shutdown stories
Van Gogh's Repetitions in Washington DC
View Annie Leibovitz's 1986 portrait of Keith Haring in New York

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